Zombiephiles Love It When Things Get Freaky!

Zombiephiles Love It When Things Get Freaky

If you’ve ever watched the relatively new animated show from FOX, Bob’s Burgers, it’s likely you’ve fallen in love with the character Tina Belcher. A hopeless romantic and socially awkward 13-year-old, she’s quickly become a fan favorite on the show, even earning the title of “The Best Character on TV” in a poll on Entertainment Weekly.

TinaIt’s her little quirks that make her so great. Not only is she boy-crazy, which is to be expected from most middle school girls, but she also has an interesting attraction that’s a bit… unorthodox, to say the least.

Tina really likes zombies. I mean really, likes zombies. As she says, “I’m not a zombiephile. I have a complicated relationship with zombies. They’re dangerous, but I love their swagger.”

In season 1, Tina explains that her love of zombies manifested itself from a point in her childhood. When she was 8 years old, her father (Bob) let her watch Night of the Living Dead, which gave her night terrors for years. But as she grew up, Tina created a unique way to combat the scary dreams.

“I think my subconscious fears and budding sexuality are getting all mixed up,” she says. “So I think I’m being attacked by zombies and I start screaming, ‘You want to make out?’ and I make out with it.”

Her coping mechanism led to a full-on zombie fetish, and it even inspired her to write “erotic friend fiction” in her downtime. It, of course, includes herself, her friends/crushes, and a zombie or two.

Sounds pretty odd right? Like something that only an animated show aimed at adults would come up with? Well apparently, it’s a more common occurrence than you might think.

Tina isn’t the only one out there who has similar fantasies, as zombies have go full-on porno more times than you may care to know. As can be seen on AdamEve.com, there are numerous erotic/horror-inspired films. These include a Night of the Living Dead parody named Night Of The Giving Head in addition to Creature Feature and the all-zombie sex fest in D2: Deviance. These are all full-length films, ready to go for the world’s zombiephiles whenever the mood catches them right.

There’s no denying that in the last few years, zombies have dominated the horror market. With recent successes like Zombieland, The Walking Dead, World War Z, Warm Bodies, and even hit games like Naughty Dog’s The Last of Us, zombies have taken over. However, the availability of undead erotica is a bit of shock.

The spike in interest even inspired an article from PsychologyToday.com, which explains the possible root of a zombie attraction. Clinical psychologist Dr. Michael Friedman argues that our fascination with them stems from the fact that zombies lead a “lifeless life.” He says that “we all fear leading a monotonous existence filled with boredom, emptiness, and loneliness” while the consequences of these negative emotions can lead to us being “bored to death.” Friedman explains that in zombie movies, TV shows, and games, we’re attracted to the heroic and exciting life of the characters fighting against a life of boredom (the zombies).

It’s an interesting argument, especially the heroic aspects. But if Friedman’s analysis is correct, the sexual attraction to those he says represents a “lifeless life” (the negative in this case) could be explained in the same wheelhouse of reasoning for why some girls are attracted to “bad boys.” Every project shows zombies as the obvious antagonists who are just, um, a little colder than most.

Don’t get me wrong, I love a zombie flick, show, game, or even a good zombie crawl as much as the next person. However, it’s in a strictly platonic way. (Sorry zombies!). At least we can all agree that sexualized or not, I’d rather have the popularity of zombies inspiring fetishes than other supernatural creatures. I think we’ve all had our fill of vampires for a while.


World War Z’s Place In Zombie Fiction

World War Z
‘s Place in Zombie Fiction

Susan Nichols

Entertainment these days is incredibly accessible for fans of different genres and methods of entertainment. If ESPN is airing a popular sports broadcast, sports fans can stream it live from any device that can access the Internet; if J.K. Rowling is revealed to have written a crime novel under a pseudonym (this just happened), thousands of fans can instantly download the e-book; and if Betfair invents a popular new casino gaming app, it will be downloaded by the truckload instantaneously. Fortunately for fans of zombie sagas, many of these modes of entertainment can be enjoyed.

From hit games like Plants Vs. Zombies and the Call of Duty Zombie mode, to a seemingly endless onslaught of zombie literature, this popular genre has exploded all over the realm of entertainment. And this is why the release of the Brad Pitt film “World War Z” earlier this year was such a significant event. But was the film a success?

Some zombie fan purists prefer low budget films and “cult” fiction, rather than blockbuster attention, and there’s certainly an argument to be made that the massive budgets of Hollywood can cheapen a zombie epic. In this particular case, the film may not have delivered a traditional zombie fiction vibe, but it certainly had its strong points. Here are a few observations of “World War Z.”

Was it true to the book?

Many know that “World War Z” was based on the novel by the same name by popular zombie author Max Brooks. However, Brooks is on record criticizing the film, which, all things considered, was based only loosely on the book. Brad Pitt did hint, however, that a potential sequel may delve more into the details in the book.

Was it terrifying?

Let’s be honest – we want our zombie fiction to be terrifying. So, was “World War Z?” Well, yes and no. To some extent, the film took itself lightly. It was certainly no horror film, and at moments the zombies’ movements and actions were almost laughable. From a human perspective, however, the film approached a zombie disaster in a way that seemed plausible and terrifying.

Was it believable?

Yes, and this is where any existing terror comes in. “World War Z” was a surprisingly realistic feeling film, more about the spread of a deadly virus than yet another tired focus on sauntering living dead villains. The film felt at least remotely like something that could happen, and that was its strongest quality.

Was it original?

To the extent that any film based on a book can be, yes. Again, this was more of a virus film than a monster movie, and for that reason it felt pretty original among zombie fiction.

Is there sequel potential?

Absolutely. At the end of “World War Z,” humankind has hope, but the real war has only just begun. Pitt and others have already hinted strongly at a sequel, so if you liked this film there should be more on the way to keep you happy.